naftule brandwein造句

• It is a tribute album to the music of Klezmer clarinetist Naftule Brandwein.
• "Tanz " includes four arrangements of songs by Klezmer clarinetist Naftule Brandwein.
• Harry Kandel, a clarinetist, stood out in the field, alongside Abe Schwartz, Naftule Brandwein and Dave Tarras.
• It features many traditional melodies of the hassidic repertoire and of the repertoire of 1920s first generation American Klezmer pioneer Naftule Brandwein.
• The melody was first recorded in the USA as " Der Terk in America " in 1924 by klezmer clarinetist Naftule Brandwein.
• Eastern European Jews contributed klezmer music to American culture, with the earliest stars including Harry Kandel, Naftule Brandwein, Dave Tarras and Abe Schwartz.
• *2008 : Yom " New King of Klezmer Clarinet ( A tribute to Naftule Brandwein ) " ( reviewed on Klezmer Podcast by Keith Wolzinger)
• Rubin, Joel E .  What A Jew Means in This Time : Naftule Brandwein, Dave Tarras and the Shifting Aesthetics in the Contemporary Klezmer Landscape, in :"
• His skill and reliability enabled him to play for many years longer than the other klezmer pioneers of his day ( Naftule Brandwein, for example ) had retired or left the business.
• The famous klezmer clarinetist Naftule Brandwein played for a time in Schwartz's ensemble, notably on popular songs like Brandwein's own " Firn Di Mekhutonim Aheym " ( Leading the In-Laws Home ).
• A Holocaust survivor who is now in his early 70s, Kozlowski, whose original name was Leopold Kleinman, is the nephew of a noted klezmer clarinetist, Naftule Brandwein, who immigrated to the United States in the 1920s.
• The Klezmorim were largely responsible for re-introducing the repertoire of 1920s clarinetist Naftule Brandwein into the klezmer canon, along with big-band klezmer melodies of Abe Schwartz, Harry Kandel, Art Shryer, and Joseph Cherniavsky.
• His latest project is a nine-movement, 29-minute suite in which he suggests a fantasy encounter between two of his heroes : Naftule Brandwein, a klezmer clarinetist who flourished in the 1920s, and Sidney Bechet, the jazz clarinetist.
• Brandwein was known as much for his colorful personality as for his musical talent, sometimes playing with a neon sign, reading " Naftule Brandwein Orchestra ", around his neck, and with his back facing the audience, to conceal his Gypsy music.
• He also produced a string of crucial LP and CD reissues, among them collections of recordings by Dave Tarras and Naftule Brandwein, the two greatest klezmer clarinetists of the first half of the 20th century, and the anthologies " Klezmer Music 1910-1942,"
• In the 1920s, clarinetists Dave Tarras and Naftule Brandwein caused a brief, influential revival, but Hankus Netsky has noted that " few of the performers of this era actually referred to themselves as klezmorim, and the term is found nowhere in any Jewish instrumental recording of the time . " ( The soprano Isa Kremer was a popular exponent of Yiddish song internationally during the first half of the 20th century; notably making several recordings with Columbia Records and appearing often at Carnegie Hall and other major venues in the U . S . from 1922-1950 . ) As U . S . Jews began to adopt mainstream culture, the popularity of klezmer waned, and Jewish celebrations were increasingly accompanied by non-Jewish music.